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    Dhyana Meditation Mudra or Contemplation Mudra In Japanese Esoteric Buddhism, Dainichi Nyorai emboides the wisdom of the essence of the Dharma realm.------------Mida jō-in Meditation Mudra of Amida Nyorai Wisdom of Distinction One Whose Splendoris Immeasurable Buddha of the Afterlife Buddha of the Western Paradise West / Red In Japan, this mudra is associated with Shaka Nyorai, Dainichi Nyorai, and Senju Kannon.

    Found mostly on seated images, but some standing images of the Senju Kannon are also shown with this hand gesture.

    The world-famous 15-meter Big Buddha Statue in Kamakura is Amida.Outside Japan, this mudra is known by various names: TEACHING MUDRA.The Sino-Japanese term Seppou-in is probably a translation of Vyakhyana. Some Japanese say the Seppou-in formed by joining the thumb and forefinger symbolizes the "Dharma-body" (hosshin Dainichi Nyorai corresponds to the Historical Buddha's first turning of the Wheel of the Law at Deer Park in Sarnath (India), where Shaka gave his first sermon.They are also used routinely by current-day Japanese monks in their spiritual exercises and worship.Knowledge of these hand gestures can help greatly in identifying Buddha images (less so when trying to identify Bodhisattva / Bosatsu images).When Shaka Nyorai is shown with this mudra, it symbolizes the summoning of heaven to witness his enlightenment.This mudra corresponds to Hōshō Nyorai Literally "touching the earth;" associated with Shaka Nyorai, who touches ground to "call the earth to witness" his victory over temptation during his battle with Mara (the Evil One); made using both hands, with right hand hanging over right knee, palm inward, with finger(s) touching earth, while left hand positioned on lap with palm up.Each of the five has a specific mudra that corresponds to one of the five defining episodes in the life of the Historical Buddha (see charts below).Each of the five is also associated with a compass direction, color, and other attributes.Images of Shaka displaying this semui-in are found in Buddhist countries throughout Asia, but there are few examples of its occurring in combination with the left hand forming the yogan-in, as is the case in Japan; instead the left hand is usually shown placed in the manner of the "meditation mudra" (zenjou-in), or holding a corner of the robes.Primarily represents the granting of wishes to those who welcome the teachings of Buddhism; right hand points downward, with palm facing outward; left hand often used instead when combined with Abhaya Mudra.About Site Author Bibliography Buddhism in Japan Busshi Glossary Carving Techniques Cycle of Suffering Drapery/Robe Guide Mandala Guide Mudra Guide Objects Guide Pilgrimage Guide Shinto Guide Statues by Artist Statues by Era Symbols Guide Terminology A TO Z INDEX 3 Element Stele 3 Monkeys 4 Bosatsu 4 Celestial Emblems 4 Heavenly Kings 5 (Number Five) 5 Elements 5 Tathagata 5 Tier Pagoda 5 Wisdom Kings 6 Jizo 6 Kannon 6 Realms 6 Nara Schools 7 Lucky Gods 7 Nara Temples 8 Legions 8 Zodiac Patrons 10 Kings of Hell 12 Devas 12 Generals 12 Zodiac Animals 13 Butsu (Funerals) 28 Legions 28 Constellations 30 Buddha of Month 30 Kami of Month 33 Kannon About the Author Agyo Aizen Amano Jyaku Amida Nyorai Apsaras Arakan (Rakan) Arhat (Rakan) Ashuku Nyorai Asuka Era Art Tour Asura (Ashura) Baku (Eats Dreams) Bamboo Benzaiten (Benten) Bibliography Big Buddha Birushana Nyorai Bishamon-ten Bodhisattva Bonbori Artwork Bosatsu Group Bosatsu of Mercy Bosatsu on Clouds Buddha (Historical) Buddha Group Buddha Statues Busshi (Sculptors) Calligraphy Celestial Emblems Celestial Maidens Children Patrons Classifying Color Red Confucius Contact Us Daibutsu Daijizaiten Daikokuten Dainichi Nyorai Daruma (Zen) Datsueba (Hell Hag) Deva (Tenbu) Donations Dosojin Dragon Drapery (Robes) Early Buddhism Japan Ebisu Eight Legions En no Gyoja Estores Family Tree Footprints of Buddha Fox (Inari) Fudo (Fudou) Myoo Fugen Bosatsu Fujin (Wind God) Fukurokuju Gakko & Nikko Gardens Gigeiten Godai Nyorai Goddess of Mercy Goddesses Gongen Gravestones Hachi Bushu Hachiman Hands (Mudra) Hell (10 Judges) Hell Hag (Datsueba) Hell Scrolls Henge Hikyu (Lion Beast) Holy Mountains Ho-o (Phoenix) Hotei Idaten Inari (Fox) Ishanaten Ishidoro (Ishidourou) Jikokuten Jizo Bosatsu Jocho Busshi Juni Shi Juni Shinsho Juni Ten Junrei (Pilgrimage) Jurojin Juuzenji Jyaki or Tentoki Kaikei Busshi Kamakura Buddhism Kankiten Kannon Bosatsu Kappa Kariteimo (Kishibojin) Karura Karyoubinga Kendatsuba Kichijouten Kitchen Gods Kishibojin (Kariteimo) Kitsune (Oinari) Kokuzo Bosatsu Koujin (Kojin) Komokuten Korean Buddhism Koushin Lanterns (Stone) Links Magatama Making Statues Mandara (Mandala) Maneki Neko Marishiten (Marici) Miroku Bosatsu Monju Bosatsu Monkeys Moon Lodges Mother Goddess Mudra (Hands) Myoken (Pole Star) Myo-o Nara Era Art Tour Newsletter Sign Up Nijuhachi Bushu Nikko & Gakko Ninpinin Nio Protectors Nyorai Group Objects & Symbols Onigawara Phoenix (Ho-o) Pilgrimage Guide Pottery Protective Stones Raigo Triad Raijin (Thunder God) Rakan (Arhat) Red Clothing Reincarnation Robes (Drapery) Rock Gardens Sanbo Kojin Sanno Gongen Sarutahiko Sculptors (Busshi) Seishi Bosatsu Sendan Kendatsuba Seven Lucky Gods Shachi, Shachihoko Shaka Nyorai Shape Shifters Shichifukujin Shijin (Shishin) Shinra Myoujin Shinto Clergy Shinto Concepts Shinto Kami Shinto Main Menu Shinto Sects Shinto Shrines Shishi (Lion) Shitenno Shoki Shomen Kongo Shotoku Taishi Shrines Shugendo Siddhartha Six States Star Deities Stone Gardens Stone Graves Stone Lanterns Stones (Top Menu) Suijin (Water Kami) Symbols & Objects Tamonten Taishakuten Tanuki Temples Temple Lodging Tenbu Group Tengu Tennin & Tennyo Tentoki or Jyaki Terminology Tiantai Art Tour Tibetan Carpets Tibet Photos Tibetan Tanka Transmigration Ungyo Unkei Busshi Videos on Buddhism Water Basin Weapons Wheel of Life Yakushi Nyorai Yasha (Yaksha) Zao Gongen Zen (Daruma) Zen Art Tour Zodiac Calendar Zochoten In Buddhist sculpture and painting throughout Asia, the Buddha (Nyorai, Tathagata) are generally depicted with a characteristic hand gesture known as a mudra.Mudras are used primarily to indicate the nature and function of the deity.This mudra is thought to have its orgins in an event that took place during Shaka's life.

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