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    In 1977, she came back to the West End, playing the title role in a production of George Bernard Shaw's Candida.The theatre, despite her success in films, was always to remain Kerr's first love, even though going on stage filled her with trepidation: I do it because it's exactly like dressing up for the grown ups.

    It's an unbelievable terror, a kind of masochistic madness.With her next two British films—Major Barbara and Love on the Dole (both 1941)—her screen future seemed assured and her performance, said James Agate of Love on the Dole, "is not within a mile of Wendy Hiller's in the theatre, but it is a charming piece of work by a very pretty and promising beginner, so pretty and so promising that there is the usual yapping about a new star".She went on to make Hatter's Castle (1942), in which she starred opposite Robert Newton and James Mason, and then played a Norwegian resistance fighter in The Day Will Dawn (1942).Kerr repeated her role along with her stage partner John Kerr (no relation) in Vincente Minnelli's film adaptation of the drama.In 1955, Kerr won the Sarah Siddons Award for her performance in Chicago during a national tour of the play.She was an immediate hit with the public: British exhibitors voted her the most popular local female star at the box office.Although the British Army refused to co-operate with the producers—and Winston Churchill thought the film would ruin wartime morale—Colonel Blimp confounded critics when it proved to be an artistic and commercial success.We are constantly trying to improve our data and make the search for obituaries as easy as possible. When you have found an obituary of interest, you have the option of upgrading that obituary with more recent and relevant content unless the obituary is already assigned to another user.You may always enhance any obituary with your condolences, stories or photos.Kerr returned to the London stage 29 years later, in many productions including the old-fashioned, The Day After the Fair (Lyric, 1972), a Peter Ustinov comedy, Overheard (Haymarket, 1981) and a revival of Emlyn Williams's The Corn is Green.After her first London success in 1943, she toured England and Scotland in Heartbreak House.Kerr's first stage appearance was at Weston-super-Mare in 1937, as "Harlequin" in the mime play Harlequin and Columbine.She then went to the Sadler's Wells ballet school and in 1938 made her début in the corps de ballet in Prometheus.the only daughter of Kathleen Rose (née Smale) and Capt.

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