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    More news To celebrate a fifty-year relationship and partnership with the Friends of the Iziko South African National Gallery, the Iziko Museums of South Africa hosts a group exhibition titled Friends50, which features works by William Kentridge and Gerald Machona, to mark the occasion (15 April – 4 November).The Friends of Iziko SA National Gallery, a not-for-profit membership-based organisation, has supported the institution in its role as South Africa’s premier public national art museum, through full or partial funding of acquisitions, as well as a variety of educational and conservation initiatives since 1968.William Kentridge’s immersive installation, , travels to the Ohio State University’s Wexner Center for the Arts (3 February – 15 April).The installation evolved from Kentridge’s conversations with Harvard professor Peter Galison about the conception of time at the beginning of the twentieth century.With music composed by Kentridge’s longtime collaborator, Philip Miller, it recounts a tale that begins with the myth of Perseus and ends with Einstein’s visionary findings.In a panel discussion, titled A Talk About Time and moderated by Andrea Ghez, Professor of Physics and Astronomy, and Founder/Director of Galactic Center, Kentridge and his collaborator Peter Galison will discuss the cultural and scientific implications of time.See our Privacy Policy and Third Party Partners to learn more about the use of data and your rights.

    In looking at how artists today have increasingly incorporated tapestry into their respective oeuvres, no matter the medium for which they are known, the exhibition charts the history of the tapestry as a work of art.

    Frankfurt’s The Liebieghaus Skulpturensammlung presents a comprehensive and unusual exhibition, titled William Kentridge.

    O Sentimental Machine, of Kentridge’s artworks (22 March – 26 August).

    Boston’s Emerson College hosts a solo exhibition of William Kentridge’s Triumphs and Laments project (15 February – 14 April).

    Hosted in the Emerson Urban Arts: Media Art Gallery, the exhibition features the complete set of eight aquatint etchings and woodcuts, used as remnants of the 550m frieze, two long maquettes that diagram the processional, a set of monumental stencils, and a video showing the opening performance in Rome.

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